"We just came up with a better idea, something that serviced Natasha a little bit more."ĭuring the "time heist" portion of "Endgame," the Avengers go back to important moments in the past to retrieve the Infinity Stones. "It was reshot to make it more intimate between Clint and Natasha, which fully worked in the end version of the movie," Schmidt said. Schmidt said Black Widow's original death scene was shown to test audiences and the reaction was positive, but after some time with the footage a new idea for the scene began to take form. Clint tries to stop her while also fending off the attack." "Thanos and his soldiers show up on Vormir and a small battle ensues between them and Natasha and Clint. "On script and what we first shot was an excellent scene," Schmidt said. ![]() Ultimately, it's Black Widow who gives her soul for the Soul Stone.īut originally, the scene was very different. The scene of Natasha Romanoff (Black Widow, played by Scarlett Johansson) and Clint Barton (Hawkeye, played by Jeremy Renner) searching for the Soul Stone on Vormir led to one of the most dramatic moments in "Endgame." Each Avenger tries to stop the other from jumping off the cliff so the other could obtain the stone. Read more: Director of dark indies, lover of American accents, and fan of psychology essays: Karen Gillan is much more than Nebula from the Marvel Cinematic Universe ![]() While Ford was wrapping post on "Infinity War," Schmidt continued assembling the "Endgame" footage while the Russos were shooting so they would not have to wait on seeing edited sequences. "And then when we finished that year of insanity," Ford continued, "we went right into an absolutely hellish, almost impossible postproduction period that lasted from January to April when we delivered 'Infinity War,' and that was one of the most intense periods of filmmaking I ever experienced, and I have worked on some crazy movies."īefore working on "Infinity War" and "Endgame," Ford's credits included MCU titles like "Captain America: The First Avenger," "The Avengers," and "Avengers: Age of Ultron." Throughout most of it, Schmidt has been by his side, first as an assistant editor starting with the first "Avengers" movie and then sharing editing credit with Ford beginning on "Captain America: The Winter Soldier."Īnd having an editing duo is almost essential for how MCU titles are churned out. The editors Jeffrey Ford and Matthew Schmidt edited "Infinity War" and Endgame" back-to-back. "It was a constant state of preproduction, production, and postproduction all at the same time for almost a year straight." "We were cutting every day, we were refining, we were figuring out what we were going to reshoot, figuring out what we had to finish," Ford told Business Insider. Starting in January 2017, the two were part of the core creative team that crafted the conclusion of the Marvel Cinematic Universe's Infinity Saga with the making of "Infinity War" and "Endgame." The duo edited the two movies back-to-back, which often meant they were cutting at the same time the directors Anthony and Joe Russo were still shooting the movie. Their tone changes from upbeat to serious, and their descriptions fill with words like "slog," "pressure," and "intense." ![]() For the past two years, the editors have done little else but work on crafting not one but two Marvel movies, each of which is now among the biggest box-office earners of all time.īut in talking to Ford and Schmidt, there are times when you can hear in their voices just how difficult it was. Jeffrey Ford and Matthew Schmidt talk with pride about their work on "Avengers: Endgame" and "Avengers: Infinity War." It would be hard not to. ![]() Account icon An icon in the shape of a person's head and shoulders.
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